Step eleven.
Well. I'm glossing over a step here, which is "Find a circus training room". Rigging requirements for static trapeze aren't exactly hardcore, but you want something with a handy engineer's certificate saying your beam will take a ton or so. Then you want a qualified (and experienced!) rigger to hang your points. Then you can hang your trapeze. Access to a Cirque du Soleil training room expedites this step :)
Wide rigging points are wide! Those are existing points, because I couldn't be arsed getting the Genie out and hanging new ones. They're a little wide, but then so is my trapeze. There have been a number of compromises on this build, none of which seriously affect the final product, and all of which are a matter of "Get the damn thing up and start playing with it, and see how it feels". The lessons I've learned (the bar is too wide, the rope is too thin) will be rolled into the next trapeze, which will be finished long before I'm good enough for the compromises I made to actually affect my performance.
Oh look! I built a trapeze and hung it in a cirque du soleil training room!
Oh look! etc.
Oh look! etc.
You'll also notice I taped the bar at some point. I may need to go over the tight white stuff with spongy stuff, but this is another case of "Hang it and see how it feels".
Funny Russian story to reward you for reading this far. Vitaly, the biggest, burliest catcher in our aerial act came over while I was hanging it and said "New trapeze? Who trapeze for?". So I said "It's my trapeze!" (in Russian, I might add). When he stopped giggling, he looked at me and said "No, but seriously. Who's it for?". *sigh*.